Women artists are less visible than men artists on the contemporary art market. Yet, they are in the majority in art schools. How can we explain this paradox? This book offers a new perspective on gender inequalities in artistic careers by examining the career paths of the graduates of a prestigious French school of visual arts.

This book proposes to uncover the geography of contemporary art of one of the largest metropolises of Asia Bombay/Mumbai. Through the study of the territorial transformations linked to the processes of globalization, it sheds light on the intimate relationship between the artistic district and a vast network of less visible workers.

This collective book is the first reference work about the philosophy of film of Stanley Cavell, American Harvard philosopher (1926-2018) who was the first to teach cinema in a university philosophy department (20 years before Deleuze).