<TitleType>01</TitleType> <TitleText>Signes</TitleText>

ENS ÉDITIONS onixsuitesupport@onixsuite.com 20260314 eng

COM.ONIXSUITE.9782847884937 03 01 ENS Éditions 02 2847884939 03 9782847884937 15 9782847884937 BC 21 02 12551015 <TitleType>01</TitleType> <TitleText>Signes</TitleText> <TitleType>01</TitleType> <TitleText textcase="01">Investigations : the Expanded Field of Writing in the Works of Robert Morris</TitleText> 01 GCOI 29021100310360 1 B01 Katia Schneller Schneller, Katia Katia Schneller 2 B01 Noura Wedell Wedell, Noura Noura Wedell 3 A15 Jean-Marie Gleize Gleize, Jean-Marie Jean-Marie Gleize 1 01 eng 278 00 278 03 07 278 03 73 02 73 25 1 26 1 20 Arts plastiques;écrits personnels;Esthétique;philosophie;Robert Morris 24 ENS Internet -site Arts 24 ENS Internet -site Littérature 01 06 22 00 01 Yes, you seem to have been anything but an iconophile in your enterprise which is piled as high with words on one side as with images on the other. Robert Morris "Professional Rules" Investigating the prolific oeuvre of Robert Morris through the prism of writing, this collection of essays provides an incisive lens into the work of a central figure in the visual arts since the 1960s, associated in turn with Minimalism, Conceptualism, and Land Art. Often labeled a theorist even as his writing mobilizes a wide variety of genres, Morris has espoused the style of art criticism, the verve of the polemic, as well as the forms of prose fiction and autobiography. But beyond this writerly craft, he has incorporated text into prints, sculptures, performances, installations, weaving a tight net between text and visual practice. This book brings together contributions from art historians, literary scholars, philosophers, filmmakers, and writers. 03 Yes, you seem to have been anything but an iconophile in your enterprise which is piled as high with words on one side as with images on the other. Robert Morris "Professional Rules" Investigating the prolific oeuvre of Robert Morris through the prism of writing, this collection of essays provides an incisive lens into the work of a central figure in the visual arts since the 1960s, associated in turn with Minimalism, Conceptualism, and Land Art. Often labeled a theorist even as his writing mobilizes a wide variety of genres, Morris has espoused the style of art criticism, the verve of the polemic, as well as the forms of prose fiction and autobiography. But beyond this writerly craft, he has incorporated text into prints, sculptures, performances, installations, weaving a tight net between text and visual practice. This book brings together contributions from art historians, literary scholars, philosophers, filmmakers, and writers. 02 This book has precedence and an audience in visual arts, critical studies, visual studies and esthetics but also draws on a variety of interdisciplinary texts and topics across the humanities, in literature, poetry and philosophy making it interesting to a wider audience. 01 Yes, you seem to have been anything but an iconophile in your enterprise which is piled as high with words on one side as with images on the other. Robert Morris "Professional Rules" Investigating the prolific oeuvre of Robert Morris through the prism of writing, this collection of essays provides an incisive lens into the work of a central figure in the visual arts since the 1960s, associated in turn with Minimalism, Conceptualism, and Land Art. Often labeled a theorist even as his writing mobilizes a wide variety of genres, Morris has espoused the style of art criticism, the verve of the polemic, as well as the forms of prose fiction and autobiography. But beyond this writerly craft, he has incorporated text into prints, sculptures, performances, installations, weaving a tight net between text and visual practice. This book brings together contributions from art historians, literary scholars, philosophers, filmmakers, and writers. 03 Yes, you seem to have been anything but an iconophile in your enterprise which is piled as high with words on one side as with images on the other. Robert Morris "Professional Rules" Investigating the prolific oeuvre of Robert Morris through the prism of writing, this collection of essays provides an incisive lens into the work of a central figure in the visual arts since the 1960s, associated in turn with Minimalism, Conceptualism, and Land Art. Often labeled a theorist even as his writing mobilizes a wide variety of genres, Morris has espoused the style of art criticism, the verve of the polemic, as well as the forms of prose fiction and autobiography. But beyond this writerly craft, he has incorporated text into prints, sculptures, performances, installations, weaving a tight net between text and visual practice. This book brings together contributions from art historians, literary scholars, philosophers, filmmakers, and writers. 02 This book has precedence and an audience in visual arts, critical studies, visual studies and esthetics but also draws on a variety of interdisciplinary texts and topics across the humanities, in literature, poetry and philosophy making it interesting to a wider audience. 04 Acknowledgments To the reader Contributors Preface Jean-Marie Gleize Introduction Katia Schneller, Noura Wedell Robert Morris I. Embedded Writing Morris('s) Prints Christophe Cherix Continuous Project Altered Daily (1969): The Machinery of Art Katia Schneller The Time of the Earthworks Gilles Tiberghien When Kitsch Becomes Form Rachel Stella "Like Laughter in a Ruin:" from Telegram to the Eighties Denis Briand A Theater of History Marie Cadalanu, Clémentine Gozlan, Julia Klarmann, Emöke Simon, Thomas Spok, Luiza Vasiliu, Critical Writing Studio, Center for Studies in Poetics II. The Text/Image Problem Under Investigation Picturing Texts: Robert Morris' "Beetle in a Box" Brian Winkenweder The Subject-Object Problem in "Aligned with Nazca": On Phenomenological Issues in Robert Morris' Artwork Anaël Lejeune Triangulating Morris' Intention? Davidson on Morris Quoting Davidson Jean-Michel Roy Robert Morris and the Spaces of Writing W.J.T. Mitchell Politics of Blindness: Robert Morris’ Antivision Miguel Ángle Hernández Navarro A Parallel Unfurling: The Problem of Description in the Work of Robert Morris Ileana Parvu III. Displacing Genres Robert Morris and Allan Kaprow: Experience, from Theory to Performance Art Cécile Mahiou Writing through Space: the Literal Practices of Robert Morris and Vito Acconci Noura Wedell Role Play in the Writings of Robert Morris Valérie Mavridorakis Addressing Oneself: On TELEGRAM by Robert Morris Isabelle Alfandary IV. Exchanges: Text to Screen and Back Again From Text to Screen Teri Wehn Damisch Script of the film Robert Morris: The Mind-Body Problem Rosalind Krauss and Teri Wehn Damisch Bibliography Index List of illustrations 23 01 https://catalogue-editions.ens-lyon.fr/resources/titles/29021100310360/extras/Introduction.pdf 23 01 https://catalogue-editions.ens-lyon.fr/resources/titles/29021100310360/extras/Avis_de_parution.pdf 25 This book has precedence and an audience in visual arts, critical studies, visual studies and esthetics but also draws on a variety of interdisciplinary texts and topics across the humanities, in literature, poetry and philosophy making it interesting to a wider audience of faculty, graduates, and undergraduates in these areas. This book will appeal to readers interested in the work of Robert Morris as well as in the place of writing in the visual arts in his work and in general since the 1960s. This book is appropriate for advanced undergraduate and graduate courses in visual art, critical studies, visual studies, literature and aesthetics. Courses that might assign this book are currently being taught in Visual Studies departments, in MFA programs, in programs in curatorial practices, literature programs, and in aesthetics in France, Great Britain and in the United States. *** Ce livre concerne des lecteurs intéressés pas les arts visuels, les études critiques, visuelles et esthétiques. Proposant des réflexions alliant des textes et des notions interdisciplinaires en sciences humaines, en littérature, en poésie et en philosophie, il touche un large public de professeurs et d'étudiants de premier, deuxième et troisième cycles. Il intéressera des amateurs de l'œuvre de Robert Morris, ainsi que des lecteurs concernés par le rôle de l'écriture dans cette œuvre et plus largement dans les arts plastiques depuis les années 1960. Ce livre trouvera sa place dans les bibliographies de cours proposés dans des départements d'arts visuels, d'études critiques, d'études visuelles, de littérature et d'esthétique. Il pourra en effet être utilisé dans les enseignements prodigués au sein des départements d'art plastiques, de littérature et d'esthétique à l'université, ainsi que dans des écoles d'art et des programmes d'études curatoriales en France, en Grande-Bretagne et aux Etats-Unis. 44 Dirigée par Éric Dayre La collection « Signes » accueille les publications dans les domaines suivants : — recherches en littérature française, européenne et mondiale des XXe et XXIe siècles, ainsi que sur le champ de la création contemporaine ; — recherches sur les rapports de la littérature et des sciences humaines, de la littérature et des autres arts, de l'histoire et de la théorie en littérature de la modernité, depuis les romantismes jusqu'aux avant-gardes contemporaines, en s'ouvrant à la question des échanges et de la traduction au sens large. Dans ces domaines, elle publie des ouvrages collectifs issus des travaux universitaires et des dossiers d'étude qui auront vocation à devenir des ouvrages poétologiques de référence. Elle procède également à des rééditions de textes importants devenus difficiles d'accès. 44 The "Signes" collection includes publications in the following fields: - research into French, European and World literature of the 20TH and 21ST centuries, as well as research into contemporary work. - research on the relationships between literature and human sciences, between literature and the other arts and between history and the theory of modernist literature, from Romanticism to the contemporary avant-gardes, by being receptive to the question of exchanges and translation in the widest sense. Focusing on these areas, it publishes collective works which represent the results of academic research and individual studies which are intended to become poetological reference works. It also republishes important texts which are difficult to obtain. 99 FR 06 03 01 https://catalogue-editions.ens-lyon.fr/resources/titles/29021100310360/images/a133710cb2bedc27da8daaadb931553b/HIGHQ/9782847884937.jpg 20160220 07 03 01 https://catalogue-editions.ens-lyon.fr/resources/titles/29021100310360/images/a133710cb2bedc27da8daaadb931553b/THUMBNAIL/9782847884937.jpg 20160220 02 https://catalogue-editions.ens-lyon.fr/en/livre/?GCOI=29021100310360 06 3052305680019 ENS Éditions 01 06 3052305680019 ENS Éditions Lyon FR 00 20140407 2015 01 WORLD 01 8.46 in 02 7.68 in 01 21.50 cm 02 19.50 cm 27 03 9782847887020 002 PDF 06 3012262710000 CID - Fondation MSH Distribution +33(0)153485630 +33(0)53482095 cid@msh-paris.fr 33 www.cid-difusion.fr http://www.cid-difusion.fr 29 http://www.cid-difusion.fr 06 FR 01 1 20 20150407 04 02 19.00 EUR R 5.50 18.01 0.99