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<Text textformat="02" language="fre">&#60;p&#62;En révélant une ancienneté vertigineuse et sublime, la découverte d'un art préhistorique a bouleversé notre culture en profondeur. En raison des lacunes des vestiges, de l'absence de sources textuelles et de la paradoxale modernité artistique du Paléolithique, ce temps incommensurable aux cadres historiques traditionnels impose de repenser l'histoire. Quels concepts et modèles ont été élaborés pour faire une place à la préhistoire dans l'histoire ? Quelle est leur portée épistémologique ? Que nous disent-ils de l'art, de notre histoire, de notre culture ? Convoquant des grands noms de la préhistoire et de l&#8217;anthropologie (Gabriel de Mortillet, Henri Breuil, André Leroi-Gourhan) ainsi que des théoriciens de l&#8217;art aussi différents qu&#8217;Alois Riegl, Élie Faure, Carl Einstein ou George Kubler, l&#8217;ouvrage envisage l&#8217;art préhistorique comme une matrice philosophique pour interroger les liens entre art, histoire et humanité.&#60;/p&#62;</Text>
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&#60;p&#62;By revealing a vertiginous and sublime age, the discovery of prehistoric art has profoundly transformed our culture. Because of the gaps in archaeological remains, the absence of textual sources and the paradoxical artistic modernity of the Paleolithic, this era is incommensurable with the traditional historical framework and requires us to rethink history. What concepts and models have been developed to give prehistory a place in history? What are their epistemological implications? What do they tell us about art, our history and culture? The book calls upon prominent names in prehistory and anthropology (Gabriel de Mortillet, Henri Breuil, André Leroi-Gourhan), as well as art theorists as dissimilar as Alois Riegl, Élie Faure, Carl Einstein and George Kubler, to make prehistoric art a philosophical matrix for questioning the relationship between art, history and humanity.&#60;/p&#62;</Text>
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<Text language="eng">Through an epistemological analysis of history and a philosophical reflection on the knot between art, history and humanity, the book explores the concepts and models that prehistorians, anthropologists and art historians have mobilised to give prehistory a place in the history of art and in our culture.</Text>
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<Text>&#60;p&#62;La découverte d'un art préhistorique a ouvert une ancienneté vertigineuse. La difficulté à saisir cette antiquité incommensurable aux cadres historiques traditionnels est accrue par les lacunes des vestiges, l&#8217;absence de sources textuelles, les effets de présence et de télescopage des temps lorsque les artistes du xx&#60;sup&#62;e&#60;/sup&#62; siècle voient une modernité du Paléolithique. L&#8217;ouvrage explore sous un angle épistémologique les concepts et modèles que préhistoriens, anthropologues et théoriciens de l&#8217;art ont forgé pour faire une place à la préhistoire dans l&#8217;histoire de l&#8217;art et dans notre culture. L&#8217;enjeu est donc aussi esthétique et éthique en engageant la façon dont on conçoit l&#8217;art et écrit notre histoire.&#60;/p&#62;</Text>
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<Text textformat="02">&#60;p&#62;Prologue. Branle-bas de l'histoire&#60;/p&#62;
&#60;p&#62;Introduction&#60;/p&#62;
&#60;p&#62;Chapitre 1. Les tendances originaires de l'art&#60;br /&#62;
Chapitre 2. Le grand rythme de l'histoire (Élie Faure)&#60;br /&#62;
Chapitre 3. « La fin rejoint le commencement » : les régressions de Carl Einstein&#60;br /&#62;
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&#60;p&#62;Conclusion. Les temps de la langue et de l'art&#60;/p&#62;
&#60;p&#62;Repères chronologiques&#60;br /&#62;
Index des personnes et des notions&#60;br /&#62;
Bibliographie sélective&#60;/p&#62;</Text>
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<Text language="fre">&#60;p&#62;&#60;strong&#62;&#60;em&#62;Dirigée par Pierre-François Moreau et Arnaud Milanese&#60;/em&#62;&#60;/strong&#62;&#60;/p&#62;  &#60;p&#62;Recherches, héritages, controverses : telles sont quelques-unes des formes que prend le mouvement des idées. L'histoire de la pensée ne se limite pas à des systèmes grandioses et fermés sur eux-mêmes ; elle est constituée également par des discours accumulés, des polémiques, des migrations conceptuelles d'un secteur de la pensée à un autre. La collection « La croisée des chemins » publie des textes consacrés à l'histoire intellectuelle et à ses retentissements actuels : philosophie, théorie politique et juridique, esthétique et enjeux des pratiques scientifiques. Elle s'emploie également à faire connaître la recherche étrangère en ces domaines et à donner à lire les textes fondamentaux qui ont marqué les grands moments de cette histoire.&#60;/p&#62;</Text>
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<Text language="eng">&#60;p&#62;Research, heritage, controversy - these are just some of the forms the movement of ideas can take. The history of thought is not restricted to grandiose and impenetrable systems; it also includes a large volume of speeches, polemics, and conceptual migrations from one branch of thought to another. The "La croisée des chemins" collection publishes texts on the subject of intellectual history and its current impact: philosophy, political and legal theory, the aesthetics and challenges of scientific practices. It also sets out to promote foreign research in these areas and to make available to readers the key texts which are regarded as milestones in this history.&#60;/p&#62;  &#60;p&#62; &#60;/p&#62;</Text>
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