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<Text textformat="02" language="fre">&#60;p&#62;Les manuscrits des romans de l'écrivain français le plus célèbre représentent un vaste domaine quasi inexploré dans les centaines de monographies, de biographies et de recueils qui lui sont consacrés. Fruit de recherches menées sur vingt ans, illustré somptueusement, &#60;em&#62;Jules Verne inédit &#60;/em&#62;comble cette lacune étonnante.&#60;/p&#62;
&#60;p&#62;Les chapitres supprimés et les passages inédits dévoilent un Nemo héroïque, un Fogg criminel, une Aouda mise à nu, un Axel grand amant, un Strogoff hautement politique, en un mot le Verne avant le travail éditorial, globalement inique, de Jules Hetzel. Les lecteurs, y compris la critique, ne connaissent qu'un Verne &#60;em&#62;light&#60;/em&#62;, censuré, mutilé dans sa chair même.&#60;/p&#62;
&#60;p&#62;&#60;em&#62;Les Voyages extraordinaires&#60;/em&#62; d&#8217;origine, qui dormaient depuis un siècle et demi, n&#8217;attendant que le baiser le plus léger, se révèlent enfin dans toute leur beauté immaculée.&#60;/p&#62;
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<Text language="fre">Cette étude des manuscrits de Verne met en exergue les chapitres et les passages inconnus des romans les plus célèbres. Premier ouvrage à prendre comme thème l'avant-texte des Voyages extraordinaires, elle vise à transformer notre compréhension de ce romancier méconnu.</Text>
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<Text textformat="02" language="eng">&#60;p&#62;The hundreds of monographs, collections and biographies about the most famous French writer barely touch on the manuscripts of the novels. Benefiting from twenty years' research, the richly illustrated &#60;em&#62;Unexpurgated&#60;/em&#62; &#60;em&#62;Jules Verne: The Lost Adventures&#60;/em&#62; fills this amazing gap.&#60;/p&#62;
&#60;p&#62;The deleted chapters and unpublished passages show Axel to be a great lover, Fogg a criminal, Aouda a goddess, Nemo a heroic figure, Strogoff an imperialist, in sum the authentic Verne, before the often harmful work of the editor and publisher, Jules Hetzel. Until now general readers and specialists alike have known an abridged, censored Verne, the flesh of his flesh dismembered.&#60;/p&#62;
&#60;p&#62;After a century and a half's slumber, awaiting the lightest kiss, the original &#60;em&#62;Extraordinary Journeys&#60;/em&#62; are finally exposed in all their immaculate beauty.&#60;/p&#62;</Text>
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<Text language="eng">The focus of this book is Jules Verne's manuscripts, in the perspective of exploring those sections of the most famous novels that did not see the light of day. This is the first volume ever written about the documents in Verne's hand which gave rise to The Extraordinary Journeys.</Text>
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<Text>&#60;p&#62;L'on étudie ici les manuscrits de Jules Verne, dans la perspective de mettre en exergue les chapitres et les passages inédits des romans les plus célèbres. C&#8217;est le premier ouvrage à prendre comme thème l&#8217;avant-texte des &#60;em&#62;Voyages extraordinaires&#60;/em&#62;.&#60;/p&#62;
&#60;p&#62; &#60;/p&#62;
&#60;p&#62;Un soin particulier a été apporté à la présentation : un système innovateur de transcription qui fait ressortir le texte inédit, des images soigneusement sélectionnées et adaptées aux besoins du texte et une approche rigoureuse mais pratique, synthétique et sans jargon.&#60;/p&#62;
&#60;p&#62; &#60;/p&#62;
&#60;p&#62;&#60;em&#62;Jules Verne inédit&#60;/em&#62; adopte, en somme, une position indépendante vis-à-vis de la quasi intégralité des études parues à ce jour : il cherche à bouleverser la vision traditionnelle du romancier, fondée sur des ouvrages qui doivent beaucoup à la main, parfois néfaste, de Hetzel.&#60;/p&#62;</Text>
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<Text textformat="02">&#60;p&#62;Remerciements&#60;/p&#62;
&#60;p&#62;Sigles&#60;/p&#62;
&#60;p&#62;Conventions&#60;/p&#62;
&#60;p&#62;&#60;strong&#62;1          Manuscrits en bonne et due forme (1859-1879)&#60;/strong&#62;&#60;/p&#62;
&#60;p&#62;&#60;strong&#62;2          Inspiration et transpiration&#60;/strong&#62;&#60;/p&#62;
&#60;p&#62;&#60;strong&#62;3          &#60;em&#62;Essai de voyage&#60;/em&#62;, « Joyeuses misères », &#60;em&#62;Voyage en l'air &#60;/em&#62;et &#60;em&#62;Paris&#60;/em&#62;&#60;/strong&#62;&#60;/p&#62;
&#60;p&#62;&#60;strong&#62;4          &#60;em&#62;Voyage au pôle Nord&#60;/em&#62;&#60;/strong&#62;&#60;/p&#62;
&#60;p&#62;&#60;strong&#62;5&#60;em&#62;          Voyage au centre de la Terre&#60;/em&#62;&#60;/strong&#62;&#60;/p&#62;
&#60;p&#62;&#60;strong&#62;6&#60;em&#62;          La Lune&#60;/em&#62;&#60;/strong&#62;&#60;/p&#62;
&#60;p&#62;&#60;strong&#62;7&#60;em&#62;          Le Capitaine Grant&#60;/em&#62;&#60;/strong&#62;&#60;/p&#62;
&#60;p&#62;&#60;strong&#62;8&#60;em&#62;          Voyage sous les eaux&#60;/em&#62;&#60;/strong&#62;&#60;/p&#62;
&#60;p&#62;&#60;strong&#62;9&#60;em&#62;          Le Retour de la Lune&#60;/em&#62;&#60;/strong&#62;&#60;/p&#62;
&#60;p&#62;&#60;strong&#62;10        &#60;em&#62;Une traversée à bord du&#60;/em&#62; Great Eastern&#60;/strong&#62;&#60;/p&#62;
&#60;p&#62;&#60;strong&#62;11        &#60;em&#62;Le Robinson&#60;/em&#62;&#60;/strong&#62;&#60;/p&#62;
&#60;p&#62;&#60;strong&#62;12&#60;em&#62;        Les Naufragés du Chancellor&#60;/em&#62;&#60;/strong&#62;&#60;/p&#62;
&#60;p&#62;&#60;strong&#62;13&#60;em&#62;        Voyage autour du monde en 80 jours&#60;/em&#62;&#60;/strong&#62;&#60;/p&#62;
&#60;p&#62;&#60;strong&#62;14&#60;em&#62;        L'Île mystérieuse&#60;/em&#62;&#60;/strong&#62;&#60;/p&#62;
&#60;p&#62;&#60;strong&#62;15&#60;em&#62;        Un courrier du Czar&#60;/em&#62;&#60;/strong&#62;&#60;/p&#62;
&#60;p&#62;&#60;strong&#62;16&#60;em&#62;        La Comète&#60;/em&#62;&#60;/strong&#62;&#60;/p&#62;
&#60;p&#62;&#60;strong&#62;17&#60;em&#62;        Un coin des Indes noires&#60;/em&#62;&#60;/strong&#62;&#60;/p&#62;
&#60;p&#62;&#60;strong&#62;18&#60;em&#62;        L'Héritage de Langévol&#60;/em&#62;&#60;/strong&#62;&#60;/p&#62;
&#60;p&#62;&#60;strong&#62;19&#60;em&#62;        L'Assassiné volontaire&#60;/em&#62;&#60;/strong&#62;&#60;/p&#62;
&#60;p&#62;&#60;strong&#62;20        Conclusion : déhetzeliser Verne ?&#60;/strong&#62;&#60;/p&#62;
&#60;p&#62;Annexes&#60;/p&#62;
&#60;p&#62;Bibliographie&#60;/p&#62;
&#60;p&#62;Table des illustrations&#60;/p&#62;
&#60;p&#62; &#60;/p&#62;</Text>
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<Text language="fre">&#60;p&#62;&#60;em&#62;Dirigée par Dominique Varry&#60;/em&#62;&#60;/p&#62;  &#60;p&#62;Dans la lignée de l'école française d'histoire du livre, « Métamorphoses du livre » accueille des travaux originaux ou en traduction, sans distinction de période ni d'aire géographique, qui renouvellent les approches et révèlent comment le texte devient livre, comment le livre et l'imprimé, du volumen au numérique, se constituent et comment ils se transforment et se transmettent.&#60;br /&#62; « Métamorphoses du livre » est la collection de l'Institut d'histoire du livre qui associe l'École normale supérieure de Lyon, l'École nationale des chartes, l'École nationale supérieure des sciences de l'information et des bibliothèques, la Bibliothèque municipale de Lyon et le Musée de l'imprimerie (Lyon).&#60;/p&#62;</Text>
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<Text language="eng">&#60;p&#62;In the tradition of the Ecole française d'histoire du livre (French History of the Book School),&#60;em&#62; "Métamorphoses du livre" &#60;/em&#62;includes original or translated works, from all periods and geographical areas, which introduce new approaches and reveal how a text becomes a book, how books and published articles, from physical tomes to digital editions, are made up and how they change and spread.&#60;br /&#62; The &#60;em&#62;"Métamorphoses du livre" &#60;/em&#62;collection is published by the Institut d'histoire du livre which incorporates the École Normale Supérieure in Lyon, the École Nationale des Chartes, the École Nationale Supérieure des Sciences de l'Information et des Bibliothèques, the Bibliothèque Municipale (City Library) in Lyon and the Musée de l'Imprimerie (Museum of printing) in Lyon.&#60;/p&#62;</Text>
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